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Allows you to listen to one specific channel out of both of your stereo monitoring speakers regardless of its assignment (available for adaptive clips and multichannel masters). When you select this option, you’ll see solo buttons at the bottom of the VU meters, one per channel ( Figure 4.16).įigure 4.16 You could change which channels you are listening to by choosing one of these options. You may want to use this option if you need to temporarily listen to just one or some of the channels. Allows you to solo one or more channels without changing their speaker assignment (available for Source Monitor and Timeline panels). However, I’ve met several editors who prefer to see the color gradients here. Showing the color gradient is a little softer on the eyes, and it is fine if you don’t need to be very precise with the levels. Indicates track meter levels in a gradual gradient rather than hard color changes, although in such a small meter the difference is very subtle. You should know what the noise floor is because it will help you determine the DR. Displays an indicator on the audio track meter that corresponds to the lowest audio amplitude in the portion of the clip that you play back. A gradient that progresses from green to yellow to orange to red indicates low audio levels, normal audio levels, and peaking audio levels.įigure 4.15 Right-click on the VU meter and customize its display by choosing from these options. The second clip (through compression, described later in this chapter) has a DR of -16dB to -12dB.Īdobe Premiere Pro’s VU meter ( Figure 4.14 on the next page) defaults to a 60dB range, displaying dynamic peaks, and shows color gradients that correspond to the audio levels. The first clip has a DR of -28dB to -6dB.
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The sequence contains two different clips. Open Chapter04_Audio.prproj, and then open the sequence named Dynamic Range.To see this DR, you need to use the VU Audio meters. As mentioned earlier, Classical music, for example, will have a much wider DR than Pop or Rock. Depending on which genre of audio you’re working with, you’ll need to have a wider or narrower DR, so keep this is mind. DR is the difference between the loudest and the softest part of your audio, and is measured in decibels. Dynamic rangeĪll audio material has a DR. The sound is also harsher and distorted in this second clip. In the second clip you’ll notice that there are less dynamics and that the audio goes into the red in the VU meter.
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Listen to the second clip it’s been processed through gain.Listen to the first clip it hasn’t been processed.Open the project Chapter04_Audio.prproj, and then open the sequence named Clipping.To better understand how clipping negatively affects your audio, follow these steps. Figure 4.13 Waveforms with square or “flat” areas at the top usually mean clipping/distortion has occurred.